The rains which hit Cannes area with such devastating consequences on Saturday 3rd arrived with us on the following Tuesday. It was an insane deluge and the thunder and lightning was quite entertaining through the skylight over the staircase. For the first hour the guttering coped with the water, but then I heard the tell-tale drip as the house could no longer resist. I stayed calm but it was going to be a long night
I put a large container in place to collect the worst of it and added towels to reduce the impact on the surrounding marble. This is not the first flood the house has seen and it is unlikely to be the last before we get the roof repaired. I could do no more than that and it was a depressing scene so I shuffled off in my flip flops to the salon to remove wallpaper as a distraction

When I first viewed the house in May I glimpsed some plaster where someone had pulled at the wallpaper, revealing the edge of a design. I decided that working on this was the best way to take my mind off the leak
I started taking paper off and exposed this stunning, though badly damaged, 17th century painting of two lions guardant

It is very fragile and as I did not have the expertise or materials to stabilise it I moved onto another wall in the salon to strip some more paper, only to find yet more designs, some of which are as bright as they can ever have been. The indications are that these designs are all round the room

We are keen to preserve this history under glass, and we feel privileged to have something as special as this. However (and I never thought I would say this) it creates a strange ‘be careful what you wish for’ dilemma. My problem is this; if there are, as it seems, numerous bits of painting around the room, am I supposed to strip everything back to the bare plaster and expose them all? It may sound wonderful and it is the sort of thing I have often dreamed of, but this is also the biggest and most exciting room I have ever had the chance to decorate, and I don’t know that I am prepared to allow the décor to be entirely dictated by someone who died around 300 years ago!
I have seen sections of Roman buildings where just small parts of the murals are revealed and the rest is plain stucco. That could look wonderful?
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It’s a tough one, isn’t it. I think we will have to slowly and carefully find out exactly what we have, and then decide what to keep. It feels like a huge responsibility
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You must do what feels right to you. If you love it , keep it, if you don’t change it. It’s not a museum
It’s the 21st century and it’s your house now, you loved it enough to save it, so you should be surrounded by what make YOU happy and b*****r the restoration purists. If I’d restored to the original building, we would be bedded on straw with some farm animals and huddling around an open fireplace with no outside vent!!
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I think you’re right but it’s just one of those things I didn’t expect! If we don’t keep it on display we will still make sure it is preserved as well as possible. But you’d never get a cow up those lovely terrazzo stairs of yours!!
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Well you could seal and stabilise it with clear wax; that’s effective but doesn’t breed condensation and damp like some impermeable sealers & finishes. Depends what you are putting over the top .
Not sure how we are going to get a 90cm fridge and range cooker up our stairs, never mind a cow! probably in thru kitchen window, like the sofas
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