Bexhill on Sea has a renowned art deco heritage and I have long regarded it as a sort of Deco mecca, but I am going to stick my neck out here and admit that when we first got there I was not impressed. It is the sort of seaside place that is suffering from lack of employment and it felt a little downtrodden (if you live there, please forgive me and read on). We had driven for hours to collect some lights I had bought on ebay (thank you, Mum!) and I was expecting to see plenty of Art Deco
The De La Warr Pavilion did not disappoint and the sun came out right on cue. The building is used as a cafe/ gallery/ meeting space and is by no means immaculate, but the bones of it are still as clean and pure as ever, and it was refreshing to see it living in the current day rather than being a museum

The staircase wasn’t easy to photograph because there was a bearded violinist* hanging around who was intent on diving into every shot as I lined it up. But I love a challenge

Any schoolchild could tell me that the success of its curves is due to the golden mathematical ratio identified by Fibonacci. I failed to grasp the concept when Charlotte brought it home at at age 8, but at least I recognise it in practice
This is a public building, beautifully sited and built to withstand heavy usage. There are no flourishes here, no quirky art deco details and in fact no attempt at decoration at all. The building simply functions and serves, while adding to the landscape
The pavilion still looks stunning from outside too, and the view is directly out to sea. It’s incredible to think that this building is now 80 years old and despite being built in built in 1935, it remains modern
There were other happy surprises for us as well. The Bexhill seafront has a lovely terrace of beautifully-kept arts and crafts villas, with long elegant gardens leading down to gates onto the promenade
And there was a wonderful home on the seafront which had been turned into a work of found art and proclaimed the legend, ‘Let the sea all worries wash awai’

We had very little time to do justice to this very British seaside town, and for all we know we may never go back, but I am pleased that we finally got there. Perhaps the most surprising thing to me was that there was no sea of like-minded people armed with cameras and that most of the people we saw walking around were clearly local. The focus of the building was on usage rather than admiration, and perhaps this is testament to its success

* I say ‘violinist’ only because he was carrying a violin. I didn’t hear him play it or use it as anything but a prop, but I will give him the benefit of the doubt.. There were also 2 girls doing vocal exercises at the bottom of the stairs. I haven’t referred to them as ‘singers’ because anyone craving attention can warm up their chords in public. At least they moved out of the way before I started taking pictures